The Sea of Possibilities by Fundacja Gra/nice (Poland)

The sea of ∞ possibilities
Target Audience: for 5+ ages
Duration: 40 minutes
Live camera used on performance

Synopsis 
The play is aimed at viewers from the age of 5 and tells the story of the power of human imagination. In the setting of the children's room, the main character discovers new worlds that inspire him to pursue his next search, so that in the finale he can fulfill his deepest dream of flying. The show is inspired by the picturebook "Maybe" by Kobi Yamada.

Production Credit
Marzena Lesiak-Batko - actress / president of foundation
Lukasz Batko - actor / vicepresidet of foundation
Zaneta Malkowska - visualization specailist
Pawel Jablonski - musician
Agnieszka Blaszczak - director

Artist’s Profile
Fundacja Gra/nice (Borders Foundation) is a group of creators from the Lodz region, Poland. Its purpose is to create performances and artistic activities concerning ambiguous and urgent topics crucial for forming a social awareness. A border is a place of encounter. A space that dares to discuss and encourages a dialogue between various styles and mediums (e.g. theater of form, dance theater, acrobatics). It’s a space of influence, exchanging thoughts, opinions, experiences and emotions. A border is what we define as the essence of contemporary theatre  The group was created during the realisation of the performance “Nameless/Unknown”, produced as a part of Lukasz Batko’s “Mloda Polska (Young Poland) 2020” scholarship, which appeared at the most important puppet festivals in Poland, winning numerous awards. The Foundation realized spectacle for kids “The Sea of ∞ Possibilities”. This performance qualified for one of the most popular Polish ministerial programs, presenting performances in towns with limited access to culture. It was presented at the 8th International Puppet Festival of Kalamata 2024 and 21st Ishara International Puppet Festival in New Delhi. It is also presented in non-theatrical spaces such as common rooms, kindergartens or apartments.

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